410 Royalty-Free Audio Tracks for "Low Noise"

Low e string on acoustic guitar scrape slide with pick. Increased pitch, wah-wah effect at 31. 2%, light tremolo,fade and noise reduction used. Recorded with conexant smart audio using at2020 mic, processed on audacity.

Recorded and processed at 24bit 48khz using the tascam dr-40 linear pcm recorder. Processing: gain-staging and soft high and low frequency filtering. No eq boost or cuts anywhere else. Also de-noised.

Recording of my cat purring while laying down. Recorded and processed at 24bit 96khz using the tascam dr-40 linear pcm recorder. Processing: gain-staging and soft high and low frequency filtering. No eq boost or cuts anywhere else.

Recorded on a tascam msr16 4 claps two per track. There might be some low freq noise, since other instruments bleeded from other tracks of the machine, but thats why they are called "dirty drum samples" :) can be layerd to get a gang-clap. Free to use them whereever you want.

The user gorgoroth6669 posted an awesome recording of some wolves, somewhere in norge. Http://www. Freesound. Org/people/gorgoroth6669/sounds/76456/. I needed it mono, but the upload was stereo. So, in the process of rendering a mono version. . . I decided to tinker. There's high & low pass filtering as well as a 4 band eq applied. Seems to have significantly reduced the noise. I also forced zero crossings :]. Figured i'd post in case anyone can make use of it√. Takk gorgoroth6669!.

Basically layered a 200hz snare body, similar to a 909, low-passed and saturated. Added in a transient sound, then a certain impact sound that you wouldn't expect, layered together with some high end white noise, compressed, then used a transient shaper for that final touch.

A small collection of synthetic sounds of varying frequencies. Created with amsynth and several ladspa, lv2 filters. Hope you enjoy the sounds. I've tried to reduce the file sizes due to the low bandwidth of the server. I hope the quality doesn't diminish too much. Didn't seem too!anyhoo. . . Enjoy!.

A recording (using an ntg3 hooked into a h4n) of a 15 week old pug puppy snoring away having wonderful dreams. Some background noise (mainly in the low end, so easily removable).

Recorded and processed at 24bit 48khz using the tascam dr-40 linear pcm recorder. Processing: gain-staging and soft high and low frequency filtering. No eq boost or cuts anywhere else. Also de-noised.

Using an lfo, mixer, exp vca, envelope generator, cycling envelope generator and spring reverb to create strange sounds. Evaluation of patch/soundone cycle is about 28 sec - cycles. . . Dont knowonly short sounds - goodamplitude variation - goodpitch variation - mediumtimbre variation - mediummusical value - low to mediumentertaining - medium?.

Recorded and processed at 24bit 48khz using the tascam dr-40 linear pcm recorder. Processing: gain-staging and soft high and low frequency filtering. No eq boost or cuts anywhere else. Also de-noised.

Recorded and processed at 24bit 48khz using a rode nt1-a condenser microphone. Processing: gain-staging and soft high and low frequency filtering. No eq boost or cuts anywhere else. Also de-noised.

Recorded and processed at 24bit 48khz using a rode nt1-a condenser microphone. Processing: gain-staging and soft high and low frequency filtering. No eq boost or cuts anywhere else. Also de-noised.

Dawn chorus recorded just before sunrise on a freezing cold april morning in the hampshire countryside, far away from any main roads. The only human noise is a couple of distant aircraft. Sd mixpre3 and rode svmx. 40hz low cut.

A close up recording of an overheating usb slot-loading cd/dvd drive that repeatedly tries to spin up, but fails and makes some clicking noises. Note on low frequency sounds: i recorded this with a zoom h1n recorder at about 2cm distance from the drive slot. I held the recorder in my hand and rested my hand on the surface the cd drive was resting on, so there is somewhat of a mechanical connection between the drive's vibrations and the recorder. I believe this led to the low frequency parts of the recording. About halfway through the recording, i lifted the drive up with my other hand and held it at a 30degree angle to the surface and recorder. As you can hear in the recording, this made it spin up a little longer before failing and spinning back down.

I have built a nonlinearcircuits sloth lfo, the regular version. Sloth is a chaotic lfo. The output is based on the lorenz system. It is a system of ordinary differential equations. It is notable for having chaotic solutions for certain parameter values and initial conditions. In particular, the lorenz attractor is a set of chaotic solutions of the lorenz system which, when plotted, resemble a butterfly or figure eight (very much from wikipedia). The sloth has two outputs x and y. Think of them as coordinate pairs. The output will probably never repeat itself but there is a pattern. I have built the regular sloth it usually takes approx 15 seconds to make a rough figure 8, one cycle in the “butterly”. Now i’m testing the module in different ways. In this sound i have connected white noise to a filter. The filter frequency is controlled by sloth (x output). In this patch i have set the initial frequency low. That’s why there is a low humming wind noise between the “tops”. The output sound from filter goes to reverb. The sound is more a study of sloth behavior than an attempt to create a great wind sound.

This is the synthesized sound of a walkie-talkie beginning to transmit. I once had a walkie-talkie that made this sound as a feedback; this is the same sound, made with audacity. Generating:file > newgenerate > noise (type: white, amplitude: 0. 4, duration: 0. 05s)effects > low-pass filter (rolloff: 36 db, cutoff: 4000)select from 0. 0s to 0. 02seffects > cross fade-inselect from 0. 03s to 0. 05seffects > cross fade-outcursor at 0. 05sgenerate > silence (duration: 0. 5s).

This helicopter sound design was created at fl studio, in the sytrus synthesizer. The sound consists of four layers. 1. Sine wave frequency of 44 hz. Simulates the low frequency noise of propeller blades. 2. White noise passed through the svf filter. Simulates the noise of propeller blades. 3. Saw wave. Simulates the sound of an engine. 4. The sine wave. Imitates a high-frequency whistle of the engine. Various modulations are applied to all waves through the envelopes of the synthesizer. Next, the signal on the mixer channel is processed by a multi-band exciter and equalizer. Then a signal was sent to two channels with delay processing. One of them imitates reflections. In the lower-middle frequency range. On the second in the upper-middle frequency range. As you approach the sound source, the volume parameters of the direct and reflected signals are automated, low pass filter, pan width and equalization of direct sound. The helicopter performs strange maneuvers, as if making constant circles during the approach to the listener. I did not seek to create the veracity of these maneuvers.

Mechanical synth swell fx pad. Kinda dark undertones with a bit of distortion. Licence: cc 0.

A short clip of a wooden door opening, first a high pitch creak, then a low pitch as it's movement slows. Recorded at close proximity with a sennheiser 416 microphone, to a sound devices 552, in a residential, fully attached house, with minimal noise and background but natural ambience and reflection, from a large (bed)room.

A passing motorcycle on the freeway. Fade-in/out added to reduce wind and traffic noise. Slight low-mid attenuation to compensate for filtering caused by the freeway sound-barrier. Note: slowing this down results in a pretty neat foundation for a large aircraft. Recorder: zoom h1date & time: ?location: fremont, ca (usa).

Recording of my finger snap inside my living room. Recorded and processed at 24bit 96khz using the tascam dr-40 linear pcm recorder. Processing: gain-staging and soft high and low frequency filtering. No eq boost or cuts anywhere else. Also de-noised.

Watering a courgette field next to la plaine des cafres, reunion island, 08/07/2022, 21h18. I left the low frequencies generated by the wind because they contribute to the general atmosphere of this recording. I used a zoom h1n with two standard earsight from immersive soundcapes. (https://immersivesoundscapes. Com).

Recording of an electric kettle boiling water in the kitchen counter of my apartment. Recorded and processed at 24bit 96khz using the tascam dr-40 linear pcm recorder. Processing: gain-staging and soft high and low frequency filtering. No eq boost or cuts anywhere else.

Recording of city ambience from my apartment window at night. Recorded and processed at 24bit 96khz using the tascam dr-40 linear pcm recorder. Processing: gain-staging and soft high and low frequency filtering. No eq boost or cuts anywhere else.

Snippets from recordings of me playing the tanpura. Tuned to e flat, the notes from top to bottom are b flat, e flat, c, low e flat. In traditional indian tuning the root note in the scale is referred to as sa and is e flat in this scale the fifth note (b flat in this scale) is referred to as pa and the sixth note (c) is dha. I noticed that my first pack of tanpura samples has a bit of fuzzy white noise so in this pack i have equalized - i reduced all the very high frequencies which got rid of most of the white noise without affecting the low frequency sounds of the tanpura itself. Please note this is the tanpura part of an instrument called the swar sangam which combines the swarmandal (indian harp) and the tanpura, it is not a traditional tanpura and does sound slightly different.

This is a clothing rubbing foley sound, emulates the sound of couch moving, chair adjust, writing on table, moving around in clothing. This in efforts of bringing you easy to use sound that is both editable and low in noise. Thank you and feel free to adjust,cut and boost the track. Some credit wouldn't hurt. Good luck filming. :).

Created with granular synthesis. Something related to a spaceship, engine room, another drone sound; could be a distant low end for a pad, as it is tonal (a note). Will loop if you crossfade between start and end. Enjoy. Https://soundcloud. Com/vospi.

Nice trick working with doepfer a-101-1 vactrol vcf. Noise to lp in. Gate to cvf in 1 out straight to mixer. Low frequency. High emph. Lp 0, bp about 5 and hp 0. Added a bass and my sampled voice. . .

These samples come from a gakken sx-150, a small analogue synthesizer kit that was released in japan 2008 as part of the gakken hobby magazine series. The synth became very popular also outside of japan, mainly because it's a low-cost analogue synth with a great sound that offers lots of possibilities for circuit benders.

Summer afternoon with light rain and distant rumbling thunder. Some birds chirping. Germany near frankfurt @ the open window of my room - with view to a garden area with many trees. The rain can be heard on the close-by metal rain gutter. Some low background noise of cars. Recorded with an zoom h4n mics on 90°.

Feedback loop involving jupiter storm, a-147-2vcdlfo and a-101-1 vactrol vcfcv injected from 2 x sloth and intellijel quadra expander in quadra moodsome spring reverb. After ~1min i switch "noise core disruptor" (jupiter storm) off. Evaluation of patch/soundone cycle is about 28 sec - goodonly short sounds - badamplitude variation - goodpitch variation - goodtimbre variation - goodmusical value - low to mediumentertaining - high, or what?. Merry christmas! :-).

Recording of a cardboard being finger scratched. Recorded and processed at 24bit 96khz using the tascam dr-40 linear pcm recorder. Processing: gain-staging and soft high and low frequency filtering. No eq boost or cuts anywhere else. Also de-noised.

Recorded and processed at 24bit 48khz using the tascam dr-40 linear pcm recorder. Processing: gain-staging and soft high and low frequency filtering. No eq boost or cuts anywhere else. Also de-noised.

A marimba note being struck while thrown in to the air. Can't remember the mic that was used but it was a condensor mic. This was recorded in my room so unfortunately the signal to ambient noise ratio isn't great. The sound can be used for free (though it would be great to hear about what you do with it). It may not be re-distributed as it is, or as part of a compiled sound library.

In this sample you hear a recording from inside a well sound insulated room, directly under the roof of a house. Strong rain hints the roof and produces low frequency muted sounds. In the background you hear the constant noise of the rain, coming through the window. There are also a few raindrops hitting the glass of the window. The sample was recorded using the built-in stereo microphone of a zoom h4n recorder. It was slightly processed to remove unwanted low and high frequencies which were not related to the actual recording. If you use this sound, please add a comment or send a private message what you created using it. :-).

Field-recording for kadenze course introduction to sound and acoustic sketching. Recorded using zoom h4n, 16 bit, 44. 1 khz. Trimmed, normalized and faded in and out. Also slightly low-shelf filtered to remove excessive wind noise. Recording made in city park in ottawa, feb. 17, 2017. Sounds include bird calls and snow-removal equipment.

Recorded and processed at 24bit 96khz using the tascam dr-40 linear pcm recorder. Processing: gain-staging and soft high and low frequency filtering. No eq boost or cuts anywhere else. Also de-noised.

Coffee shop in tokyo. Lots of background noise and conversation. Staff is cleaning. Espresso drinks are being made. This recording was made with a stereo pair of mics placed at a coincidental 120 degree angle. I rolled off the low end at 28hz to remove the sound of coffee cups being set on the counter where the mics were placed.

Recorded and processed at 24bit 48khz using the tascam dr-40 linear pcm recorder. Processing: gain-staging and soft high and low frequency filtering. No eq boost or cuts anywhere else. Also de-noised.

Recording of the rotation motor on a dynamic perception motion control rig. Recorded with a sennheiser ew100g3 wireless cardioid mic on a zoom h6. Minimal post production with just a highpass filter to remove some of the very low end sound in the background. Kind of reminds me of the scene where neo leaves the matrix for the first time.

In an antique store in laconner, washington i saw a old black desk rotary dial telephone. I dialed the numbers 1 through 0 and recorded them on my cell phone. It's a fairly clear recording and different from the other rotary dial sounds here. I rolled off the low end a bit to get rid of some ambient noise in the store.

Recorded inside a closet. Low noise, not much reverb. Sounds almost machine-like with a satisfying thump. Recorded on a phone. I messed around with it to get it to sound nice. In case you do something that mixes the channels: on the opening part i copied a 5khz to 8. 5khz band from the left to the right channel, so that frequency band is mono.

Recording of a button sound from a vintage teac hi-fi stereo amplifier. Recorded and processed at 24bit 96khz using the tascam dr-40 linear pcm recorder. Processing: gain-staging and soft high and low frequency filtering. No eq boost or cuts anywhere else. Also de-noised.

only 90's kids will remember. . The sound of a generic car-stereo tape-deck's motor. Slightly eq'd to narrow the spectral range of the low-quality recording device. Recorder: smartphonedate & time: ?location: fremont, ca (usa).

I recorded this from a balcony (5th floor) in the middle of a summer day (end of july), using a mid/side set (mkh30 + c480 b-uls/ck62-df omni) into sound devices mixpre3. Not any processing has been added, except a plain m/s to x/y stereo conversion and low-cut filter (30hz). This is a generally quiet atmo, sometimes light wind comes in, some seagulls and other birds are there at times, some construction work happens etc. The traffic noise is present, but in the distant way. Feel free to use it in any of your productions. Not for resale.

Recording of sea undertow on the beach of formicoli, vibo valentia, calabria, italy, the 19th agust 2022 16:44. The sound was recorder with a zoom h1n with windshield at a short distance from the crashing of the waves on the beach. The waves are driven by a light, gentle wind. The sound was recorded by holding the microphone in my hand while i dived knee-deep into the water and walk, filming the crashing of the waves (also on my legs). High-frequency sound details (the foam of the sea, the impact of waves on each other, etc. ) are much more audible here. Processing:* volume adjustment;* 120hz high pass filter (to reduce low some low frequencies rumble due to the wind);* cut and crossfade to eliminate very few mechanical noise of my hand on the mic;.

Recording of rain in a small town with some thunder, cars and birds. Plane passing by in the sky. Recorded with sound devices mix-pre-6 ii and two mxl 603s mogami custom mics in din stereo. Recorded in 192khz/32bit. Post editing with rx8: low/high cut with eq to reduce rumble and noise, also gain increased and cut to length. Converted to 320kbps/cbr mp3.

Recording of me playing video games on my xbox controller. Recorded and processed at 24bit 96khz using the tascam dr-40 linear pcm recorder. Processing: gain-staging and soft high and low frequency filtering. No eq boost or cuts anywhere else. Also de-noised.

Recording of a small plastic toy ball which, when moved, makes a rain-like sound. Recorded and processed at 24bit 96khz using the tascam dr-40 linear pcm recorder. Processing: gain-staging and soft high and low frequency filtering. No eq boost or cuts anywhere else. Also de-noised.